| 000 | 01453nam a22002777a 4500 | ||
|---|---|---|---|
| 005 | 20240924225403.0 | ||
| 007 | ta | ||
| 008 | 240520s2010 us |||fr|||| 000 0 spa d | ||
| 020 | _a9780307472588 | ||
| 040 |
_aENSAD _bspa _cENSAD _erda |
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| 041 | 1 | _heng | |
| 082 | 0 | 4 | _a821.13/R85H |
| 100 | 1 |
_aRoth, Philip, _eautor _d(1933- 2018) _97316 |
|
| 245 | 1 | 3 |
_aThe Humbling / _cPhilip Roth |
| 264 | 1 |
_aNew York : _bVintage Books, _c2010 |
|
| 300 |
_a140 páginas _c20 cm |
||
| 336 |
_2rdacontent _atexto |
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| 337 |
_2rdamedia _asin mediación |
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| 338 |
_2rdacarrier _avolumen |
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| 520 | 3 | _aSimon Axler, one of the leading American stage actors of his generation, is now in his sixties and has lost his magic, talent, and assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, “are melted into air, into thin air.” When his wife leaves him, and after a stint at a mental hospital, he retires to his upstate New York country house and hopes for deliverance, which arrives in the form of the lithe, vibrant, and ever-subversive Pegeen Stapleford, the daughter of old friends and 25 years his junior. In this tight, surprising narrative told with Roth’s inimitable urgency, bravura, and gravity, we confront the terrifying fragility of all our life’s performances. | |
| 650 | 4 |
_aTeatro estadounidense _9862 |
|
| 650 | 0 |
_aFicción literaria _97317 |
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| 942 |
_2ddc _cLB _n0 |
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| 999 |
_c4644 _d4644 |
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